Current
Exhibitions

AUG 21–DEC 12, 2010

KATHRYN SPENCE: Short Sharp Notes, Rolling or Churring Whistles, Clear Phrases

Kathryn Spence, Untitled (Western Screech Owls) (detail), 2009. Coats, pants, stuffed animals, sand, string, thread, wire, pins.

The exhibition Kathryn Spence: short sharp notes, rolling or churring whistles, clear phrases will feature new work by the San Francisco Bay Area artist. Spence’s sculptural objects are inspired by birds and the natural world but are composed from the discarded materials of the human world.

Kathryn Spence, Untitled (Coyotes), 2009. Sweaters, shirts, towels, stuffed animals, wood, pins, colored paper.
Kathryn Spence, Untitled (Coyotes), 2009. Sweaters, shirts, towels, stuffed animals, wood, pins, colored paper.

Kathryn Spence

Untitled (Coyotes), 2009
Sweaters, shirts, towels, stuffed animals, wood, pins, colored paper

Accumulated bits of fabric, thread, paper, and cardboard take on species-specific characteristics and inhabit space as they might in the wild.

Kathryn Spence, Untitled (Western Screech Owls), 2009. Coats, pants, stuffed animals, sand, string, thread, wire, pins.
Kathryn Spence, Untitled (Western Screech Owls), 2009. Coats, pants, stuffed animals, sand, string, thread, wire, pins.

Kathryn Spence

Untitled (Western Screech Owls), 2009
Coats, pants, stuffed animals, sand, string, thread, wire, pins

Her work demonstrates an uncanny ability to capture the essence of animals without masking her found materials, applying a naturalist’s methods to urban detritus. Spence’s objects emulate the living animals and other items and elements she observes in nature, and explore the disparity between the culture of the artificial and the existence of the untamed natural world that surrounds us. Spence’s works on paper take on sculptural qualities as well, often lying on bases instead of hanging on the wall and incorporating some of the same materials found in her sculpture. Her exhibition at the Mills College Art Museum will include a combination of new two-dimensional and three-dimensional works.

Kathryn Spence, Untitled, 2005–06. Cardboard, plywood, thread, ink, bobby pins, pillow feathers, towel scraps, clothing remnants, paper, safety pins, bed sheets, “How to Wash” labels, “Do Not Remove” labels, upholstery and mattress tags, photographs, magazines, paper towels, cell phone advertisements, toy squirrel, Styrofoam, string, cotton batting.
Kathryn Spence, Untitled, 2005–06. Cardboard, plywood, thread, ink, bobby pins, pillow feathers, towel scraps, clothing remnants, paper, safety pins, bed sheets, “How to Wash” labels, “Do Not Remove” labels, upholstery and mattress tags, photographs, magazines, paper towels, cell phone advertisements, toy squirrel, Styrofoam, string, cotton batting.

Kathryn Spence

Untitled, 2005–06
Cardboard, plywood, thread, ink, bobby pins, pillow feathers, towel scraps, clothing remnants, paper, safety pins, bed sheets, “How to Wash” labels, “Do Not Remove” labels, upholstery and mattress tags, photographs, magazines, paper towels, cell phone advertisements, toy squirrel, Styrofoam, string, cotton batting

Kathryn Spence received her MFA from Mills College in 1993. She lives and works in San Francisco, California. Kathryn Spence: short sharp notes, rolling or churring whistles, clear phrases is curated by Stephanie Hanor.